This is such an intriguing and quietly powerful mid-century murder novel. Despite having inspired hit film adaptations and earning praise from Raymond Chandler, it still seems to have flown under the radar. Thankfully, Persephone Books has given it new life through one of their beautiful editions!
This is a deeply satisfying blend of crime and suspense, anchored by its capable protagonist, Lucia. Living somewhere near New York City during World War II, Lucia is a frustrated housewife trying to hold her family together while her husband serves overseas. Her teenage son, David, is fiercely protective, while her daughter is drifting into a dangerous romance with an unsuitable man. On top of this, Lucia is also caring for her ageing, bumbling yet still resourceful, father.
When her daughter’s unsavoury lover turns up dead, Lucia becomes entangled in a paranoia-inducing web of deceit. Holding weaves this tension with a subtle romantic undercurrent and a keen psychological insight. You really feel for Lucia, who is doing her best and trying to escape from the shackles of respectable motherhood whilst simultaneously trying to fiercely protect her cubs.
What makes the book so perfect is its exploration of repression and hidden motives: Lucia’s crisis seems to awaken something long dormant in her. Through the chaos, she rediscovers her intelligence, wit, and sense of self, which had been dulled by domestic routine. The novel captures that strange mix of fear and freedom that comes when one’s ordinary life is upended.
It’s also a fascinating portrait of different generations, of teenage arrogance, of criminal honour, and the domestic drudgery of mid-century femininity. There are even some interesting moments of reflection on race and class.
A gem of mid-century suspense, The Blank Wall deserves more recognition than it gets.
One word: thrilling.
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